Sorcerer (1977)
In the late, great William Friedkin’s tenacious remake of The Wages of Fear (1953), four criminals truck nitroglycerin across a Central American jungle to stymie an oil field fire. True to Friedkin’s gripping, reality-devout style, the film is punctuated left and right with molten, sky-scorching columns of fire, like chemical reactions between heaven and hell.
Sorcerer was the director’s “anything you want, Mr. Friedkin” cash-in on the unparalleled success of The Exorcist. Nearly 50 years later, you can still feel the maniacal lack of compromise across the greasy, terrifying, transcendent two hours, as every character is one worn tire tread or loose pebble away from detonation.
With a Tangerine Dream score (their first for a Hollywood production) halfway between a classical fugue and a wound throb and a Roy Scheider performance that testifies to his undersung ‘70s stardom, Sorcerer is one of Friedkin’s finest hours. And all that magnificent fire? It’s among the many things (sharks, dancing, youth) that contemporary CGI still cannot quite approximate. Hollywood, Sept. 10.
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